Phantom Thread review: Paul Thomas Anderson unravels the relationship between an artist and his muse, Sight & Sound

Control freaks abound in the films of Paul Thomas Anderson: takes one to know one, as the saying goes. Phantom Thread’s high-end fashion designer Reynolds Woodcock, who custom-makes dresses for royalty and hoi polloi in London circa 1950s, is as much a model of obsessive-compulsive mania as Daniel Plainview in There Will Be Blood (2007); this master-dressmaker works in softer and more pliant materials than the wildcat oilman, but is similarly uncompromising about his process and results.

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